A third Rain-themed longform ambient composition by Djinnestan. Perhaps still in a forest, but now at the banks of a stream, with wisps of fog, chirping crickets, the moon, and other mysterious nocturnal elements. This CD-length work creates a nice acoustic mood for meditation or sleep. It is recommended that you play it at low volume, as it is meant to be listened to peripherally, not directly.
The second soothing dreamscape by Akashic Crow’s Nest employs ACN’s characteristic generative textures plus additional ambient samples to sculpt a smooth and restful atmosphere to lull the brainwaves into a relaxed state. The ACN sound is distinguished by the use of an image synthesizer (pictures are translated into sounds) to produce most of the auditory elements used in its compositions. Very peculiar but often remarkably musical and uncannily magical.
This new electroacoustic longform piece by Andrew Latham’s Ghostheory project takes Webbed Hand’s “Rain” concept in a darker, more industial direction. A shifting palette of drones, clangs, inscrutable noises, and static are all blurred together into a hypnotic journey that could be either soothing or stimulating, depending on your volume settings.
Here is a contribution to the acclaimed Rain series on Webbed Hand by the talented K.M. Krebs. A long-form ambient work of many subtle and shifting motifs, this relaxing electroacoustic ambient journey will take you far on pleasant and varying wavelengths.
Mystified’s third Rain album is a bright, languid, minimalistic composition which conveys a sense of self-sufficient solitude. Piano keyboard notes and chords are plucked from space and reverberate lightly in the mind. Time and space fall into the lacunae between notes, and all that remains is you at peace.
A 74-minute ambient track. The setting here comes across not as a fairytale forest, as in Rain 1 [wh028], rather more like an ancient abandoned city on the edge of a desert, as viewed in a grainy film. For some of more sensitive intuition, not empty at all but bustling with ghosts.
The Rain series has at last a contribution from spoonPhase. This recording takes you into the vast cavernous spaces of your mind, where the rhythms of nature are quietly performed by the elements and sightless creatures of the deep.
Seismic, elemental, oceanic, liquid. There are numerous adjectives that can well describe this subtle 72-minute composition without giving away all of its secrets. Shifting drones and drips and drops conceal deeper activities. Tribe of Astronauts’ second Rain album continues in the tradition of Webbed Hand’s popular series of CD-length ambient soundscapes, intended for quiet listening.
The Webbed Hand “Rain” series in now graced by a contribution from Djinnestan. Much like the shorter works, this 74-minute piece is subtle and enchanted. As if in a dream you find yourself strolling in a fairytale forest, dark and misty, peopled by the figments of childhood imaginings. This album is ideal for meditation, trancework, and quiet activities. It is recommended that you play it at low volume, as it is meant to be listened to peripherally, not directly.
Tribe of Astronauts’ “Rain 1” is a pleasing wash of white noises, cycling in slow rhythms. Waxing and waning brushstrokes of static, rumbles, and other obscure sounds lull the mind into a deep and peaceful state. This album is ideal for meditation, trancework, and quiet activities. It is recommended that you play it at low volume, as it is meant to be listened to peripherally, not directly.