A third Rain-themed longform ambient composition by Djinnestan. Perhaps still in a forest, but now at the banks of a stream, with wisps of fog, chirping crickets, the moon, and other mysterious nocturnal elements. This CD-length work creates a nice acoustic mood for meditation or sleep. It is recommended that you play it at low volume, as it is meant to be listened to peripherally, not directly.
The second soothing dreamscape by Akashic Crow’s Nest employs ACN’s characteristic generative textures plus additional ambient samples to sculpt a smooth and restful atmosphere to lull the brainwaves into a relaxed state. The ACN sound is distinguished by the use of an image synthesizer (pictures are translated into sounds) to produce most of the auditory elements used in its compositions. Very peculiar but often remarkably musical and uncannily magical.
Webbed Hand Records’ first release of 2006 is an anthology of recordings by the label’s founder, C.P. McDill. This selection represents the spectrum of his sound art projects from 1993 to 2005, excluding the long-form (CD-length) ambient recordings.
Fire up your narghile (hookah, shisha) and settle back for some compelling arabic melodies and rhythms, performed by Kaazim Zareb, by profession a bellydance accompanist, who in this creative departure brings a jazzy improvisational flavor to mellow arabic art music. These tracks blend elements of traditional Middle Eastern musical idioms with contemporary electronica mixing style.
The only surviving tape of sound experiments made by C.P. McDill from a period of creative work spanning 1988-93, finally recovered, remixed, and mastered for Webbed Hand release. Exposes the roots of McDill’s audio aesthetics.
Darkdrone Radio has regularly featured works by Webbed Hand artists in its rotation, and to show our appreciation for this abundance of promotion and exposure, we’re collaborating with Darkdrone to assemble this mix of new work and special edits of work already released.
A 74-minute ambient track. The setting here comes across not as a fairytale forest, as in Rain 1 [wh028], rather more like an ancient abandoned city on the edge of a desert, as viewed in a grainy film. For some of more sensitive intuition, not empty at all but bustling with ghosts.
A follow-up to “Ghosties” (wh029), this is another collection of strange textural works, blending drones and other samples into opulent and ruined atmospheres. Liminal sounds give rise to mystic voices.
Here’s another Sci-Fi themed album by Akashic Crow’s Nest. This time, the concept centers on the experiences of a miner/prospector in a remote and hostile off-world mining colony. The sound: strong, droney ambient soundscapes, more intense that in The Void Captain’s Tale (wh015).
Haunted textures of sound are served forth in classic Djinnestan style in this unexpected EP release. Do ghosts relive their dying moments? Do they have unfinished business, or messages for the living? Without explaining the concept of this album, I shall leave you to infer what you can from the track titles and a close listening to these haunted soundscapes.